Smart Bus,roseville,mi

Massing

In

post where I described the study of the shadows of 100 souls on board I was talking about Hatch in pencil, which gives you the ability to define the first sources of light, and then all the volumetrizzazione that they resulting therefrom.

It really is not necessary to use the dotted line in pencil to study the volumes. We can also do this with other instruments.

A pantone for example, a pen (if we want to be tied to a speech "paper"), or directly to your computer, using one or more gray (1 more than enough).

table taken from "Wondercity" Ed Soleil, Screenplay: John Gualdoni, Drawings: Stephen Turcotte, Color: Emanuele Tenderini

table taken from " Wondercity "Ed Soleil, Screenplay: John Gualdoni, Drawings: Stephen Turcotte, Color: Emanuele Tenderini

table taken from" Wondercity "Ed Soleil, Screenplay: John Gualdoni, Drawings: Stephen Turcotte, Color: Emanuele Tenderini

Using a gray, you have the ability to define light and shadow in a very precise way, if you want to process a lot more then your preparatory study can use different shades.

Using the gray just because I am not interested in a speech "temperature" of color, but I want to focus exclusively on the contrast between light and shadow to bring out the volumes of figures and environments.